Showing posts with label Costume design. Show all posts
Showing posts with label Costume design. Show all posts

Monday, 4 March 2013

Comparing Artists



                             Evaluation of artist research



My top three choices would have to be Gillian Lee Smith, Billy Kidd and Alyssa Zukas. The three of them have very individual and different practices but I feel as though I could play around if I joined them together. Zukas technique of splashing and letting dyes mix would be a greate way to try and re-create one of Billy Kidds Decaying Flowers I could use bright vivid dyes along side dark colours and see the effects. I chose Gillian Lee Smith because I liked her theme of storytelling and using memories to create her artworks which fit well if I was to create a costume. Billy Kidds work remind me of Gillian Lee Smiths work becasue both pieces are dark and fairytale like due to the use of light, shadow and splashes of bright colours. I have thought about carrying on with the story of Alice in Wonderland and these images would be a great palette to create a costume with especially the Mad Hatters, but it could also work on other fairytale stories.

Tuesday, 26 February 2013

Vin Burnham



Vin Burnham is an award winning costume designer and has worked on feature films, TV commercials, TV, theatre, opera, ballet and rock n roll. Vin Burnham was always surrounded by theatre and performers, both her parents were actors and her grandfather was an opera singer.  
Her long list of works includes the Chronicles of Narnia in 1988, Batman in 1989, the Fifth Element in 1997, Wind in the Willow in 2007 and Zing Zillas in 2010. But before getting any of these jobs Burnham went to art school but dropped out before she got her degree and went on to work selling programmes and working behind bars at West End theatres. She then got a lucky break at the Royal Opera House in Convent Garden in the prop department and then went onto work in the Wardrobe department at the Nottingham Playhouse where she created her first creature. After many doing many jobs Burnham decided to go a freelance with a close friend in London as costume maker for Oscar winner James Acheson.

Vin Burnham is also the creator of the Little Costume Shop which shows of small scale models of opera and ballet dresses in her own designs. Most recently She has created the Little Wedding Dress Shop were she creates small scale mementos for peoples wedding days. Burnham has also published a book in 2009 named the Best Ever Kids Costumes, which reminds me of what Iain Simons said about writing a book to help getting your self known.
 

Monday, 25 February 2013

Gillian Lee Smith

Gillian Lee Smith is an artist and model maker who originally studied costume design at university were she learnt to illustrate characters which she now uses in her work today. Smith's inspiration comes from the idea of story telling, personal emotions and the use of imagination, helped by her job working with people with dementia were she uses objects to stimulate memories.

Photo: Been heading straight up to my studio after work as a kind of new years resolution(last week was admin Uggh) this week has been drawing - feel so much better for getting some creative time in even on my part time job days and it means I look forward to my full studio days even more!

Her work includes mixed media pieces with media like acrylic, chalk, ink, water colour and oil pastels which create a dark but almost mystical, fairy-tale feel to the pieces. Within her sketchbook, along with costume and character designs, is writing of her most deepest inner thoughts which she then develops into her larger mixed media pieces.
   

Photo: And a close up - i am loving working with pastels again. It has been a while.

I absolutely loved the pieces that I saw at the creative industries day and would defiantly consder buying one. I think the appeal is the use of emotive faces and colours that Smith uses I also like the idea that she links her job with her passion as I think it's something thats quite rare but is something that everybody would love to be doing. I am defiantly inspired by her works and I really want to try using the theme and design of her works but put them into a textile format.